Price: Casting Couch and A Wallet
Most people are familiar with the phrase, “those who can, do; those who can’t, teach”. I’m not saying I agree with this adage but I am confident that my woodworking teacher’s seven fingers didn’t improve his street cred. While working for NASA is an unlikely endgame for a high school physics teacher, rich people see no reason to thwart their ambition over something trivial like talent, skill and experience. It is this eccentric quirk that makes the world of Hollywood turn and ensures that even the very worst scripts can still make it to the silver screen thanks to a terrifically uninformed bankroll. Meet the Executive Producer.
The Executive Producer plays a critical role in every film; provide financial backing and stay out of the way of people who claim to know what they are doing. It is easy to assume that these captains of industry, having made their fortunes in gold mines, oil wells, shipping or real estate, are interested in further padding their Swiss bank accounts with the next Avatar, Toy Story 3 or Inception. Au contraire reader, becoming an Executive Producer is the proverbial golden ticket that rich people need to pull back the curtain and gain access to Hollywood’s red carpet; think Christina Hendricks, Isla Fisher and Jayma Mays. In Los Angeles’ film circles there is only one rule; the bigger the bankroll, the bigger the celebrity. It is this simple rule that attracts the modern day robber barons to sink their millions into terrible scripts written by “starving artists” and directed by “tortured souls”. In exchange, they all but guarantee themselves discussions on method acting with George Clooney, cinematography lessons from Scorsese and a performance by Justin Bieber at their daughter’s Bat Mitzvah. In many cases profitability is an afterthought and a pleasant surprise.
While spending millions to be on-set at Hollywood’s next box office bust may seem excessive to the average autograph hound, rich people have an innate knack for justifying almost any financial failure; the tax-loss carry forward. This little taxation trickster is the fix-all for blowing their wad on a film that will quickly pass from theater to distant memory without a hint of embarrassment on the part of the producer. Losing an eight figure investment not only appears acceptable within their social circle, it actually makes rich people seem quite savvy! This “win-win” situation means rubbing shoulders with Brangelina, a significant tax write-off and the opportunity to talk like a Hollywood insider. Oh, and for the trust fund hipsters, a well stocked casting couch is a significant perk because while you can’t buy happiness, money lets you choose your misery.